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Sourcing Within 内溯 ~ a home for the heART

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    • Founder / Artistic Director
    • Essential collaborator (Performance / Practice-Research)
    • Collaboration in Theatre/Anthropology
    • Musician /Composer in collaboration
  • Worksessions
    • Sourcing Within Worksession
    • Sourcing Within sessione teatrale
    • gallery
    • Videos
  • Performances
    • Wandering Sounds (2013~2016)
    • Resounding Voices (2016-2018)
    • Hunger Songs (2013)
    • Chapter with the Missing One (2011~2012)
    • Wandering.Birds (2010~2011)
      • Links
    • Feast of You Shen (2008~2009)
    • Bird’s Inn (2007-2009)
    • Winter Never Come Spring Already Arrived (2007)
    • By the Way (2006)
  • Testimonies
    • Testimonianze /Testemunhos
    • Students’ journals
    • Students’ testimonies
  • Articles
    • Wandering sounds. Gey Pin Ang e il canto di chi ha fame
    • Earlier phases of Ang’s performative works
    • Forgotten Memories in Action, an interview with Ang Gey Pin
    • Ang reclaims culture and heritage through theater
    • Grotowski, Women, and Contemporary Performance: Meetings with Remarkable Women
    • Ang in Recital of the Bird (1992, directed by Massoud Saidpour)
    • Theses from past participants
  • Practice~as~Research
    • Dreamtalk
    • A joint research (Theatre/Anthropology)
  • Publications
  • Other Projects
  • Contact
  • Past traces
    • Theatre OX

Performances

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Free Play: Improvisation in Life and Art

"Without play, learning and evolution are impossible. Play is the taproot from which original art springs;...Technique itself springs from play, because we can acquire technique only by the practice of practice, by persistently experimenting and playing with our tools and testing their limits and resistances.

To play is to free ourselves from arbitrary restrictions and expand our field of action. Our play fosters richness of response and adaptive flexibility. This is the evolutionary value of play -- play makes us flexible. By reinterpreting reality and begetting novelty, we keep from becoming rigid."
(Stephen Nachmanovitch 1990: 42-43)

 

 

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